Thursday, May 23, 2024

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An Unearthed Johnny Money Recording, and 11 Extra New Songs


Johnny Money wasn’t at all times the stoic Man in Black. He additionally had a droll facet, as revealed on this tune reconstituted from demos he recorded in 1993; a latter-day band, together with Marty Stuart on guitar, now fills out the unique tracks. In “Properly Alright,” previewing “Songwriter,” an album due June 28, Money is deadpan and droll, singing a couple of liaison that begins at a laundromat. Even the Man in Black had garments to scrub. JON PARELES

“I run away, ’trigger I’m on treasured time,” the British musician Nilüfer Yanya sings on the primary single she’s launched since her wonderful 2022 album “Painless.” In traditional Yanya vogue, “Like I Say (I Runaway)” has an virtually collagelike really feel, reveling in contrasting textures and instantly erupting right into a blaze of guitar distortion on the refrain. “The minute I’m not in management, I’m tearing up inside,” Yanya sings, as her personal sonic universe bends to her will. LINDSAY ZOLADZ

In August, it will likely be 5 years because the R&B artist Normani launched “Motivation,” a deliriously catchy and kinetic single that proved the previous Fifth Concord member had main potential as a solo pop star. Within the time since, although, Normani has been comparatively quiet, save for a couple of decent-if-unremarkable one-offs just like the 2022 ballad “Truthful” or the slinky 2021 Cardi B collaboration “Wild Facet.” Normani will lastly launch her feverishly anticipated debut album “Dopamine” on June 14, and its first single, “1:59” is … one other decent-if-unremarkable gradual jam, this time centered round a looped acoustic guitar lick and that includes a lusty, sing-songy verse from the rapper Gunna. It’s all effectively and good for an album monitor, possibly, however we’re nonetheless ready for that world-conquering bop. ZOLADZ

Even a self-described “unhealthy bitch” can demand good manners. That’s what the R&B hitmaker Coi Leray does in “Can’t Come Again,” a post-breakup tune about getting over a foul selection. Over a minimal beat and two minor chords, she advises any prospects to “Decrease your tone, inform me ‘Please’ and ‘Thanks,’ and open up my door” — or anticipate to get kicked to the curb. PARELES

The Jamaican songwriter Shenseea (Chinsea Linda Lee) can’t determine whether or not she’s rapturously in love or courting bother in “Neva Neva,” a tune that’s much less brazenly raunchy than her previous hits. The monitor, which pumps up classic lovers-rock reggae with arena-scale bass and reverb, leans towards elation. PARELES

PartyNextDoor — the Canadian singer and songwriter J.A. Brathwaite, who usually croons about womanizing — dips into Nigerian Afrobeats with “For Sure,” co-produced by Kddo from Nigeria. With a minor-mode tune over a skeletal beat, he sings about an uncertain flirtation, repeatedly admitting, “I would like you” and recalling, “I prolonged my hand and let go of my delight.” However in a spoken-word outro, he can’t commit; he leaves her behind to “hit a couple of extra spots” as a substitute. PARELES

The title monitor of the approaching album by the Brooklyn band Diiv is a hazy, droney, baleful evaluation of society’s prospects, envisioning solely decay and collapse: “The long run got here and every part’s identified/There’s nothing left to say — present’s over, take me residence.” Distorted, steady-strummed shoegaze guitars and a chord development that stays unsettled maintain the desolate temper. PARELES

Pearl Jam’s new album, “Darkish Matter,” doubles down on the band’s longtime strengths: ferocious hard-rock riffs, neo-psychedelic guitar tangles and Eddie Vedder’s pressing ethical compass. “React, Reply” hurtles forward, with guitars blasting in unison after which ricocheting in stereo, as Vedder requires unified, purposeful motion, insisting, “We might be preventing collectively/As a substitute of preventing ourselves.” PARELES

Teddy Swims, a songwriter born in Georgia, leans into Sixties soul and ratchets up the masochism in “Hammer to the Coronary heart,” which wallows in his give up to a femme fatale. A gradual chug, reverbed guitars, a string part and even chimes present the retro backdrop as he confesses, “I’m such a sucker for the ache,” wallowing within the drama. PARELES

Margaret Glaspy confesses to ceaseless nervousness in “24/7” from “The Solar Doesn’t Suppose,” her intimate new acoustic EP. With simply acoustic guitar choosing and some overdubbed backup vocals, she sings a couple of lifetime of at all times seeing the draw back: “I believed clouds have been simply smoke from a hearth/and love was wrapped in barbed wire.” There’s no self-pity in her tone, simply self-acceptance. PARELES

In Karen Dalton’s tenaciously affectionate “Proper, Fallacious or Prepared,” from 1969, she sang a couple of man who’s absent however “stays on my thoughts.” Kara Jackson makes the tune twice as languid by slowing it to half pace and opening up areas: at first with sparse acoustic guitar choosing and piano, later with a cushiony string association, singing as if every phrase holds one other fond reminiscence. PARELES

Menace and dread, acquainted Radiohead modes, suffuse “Knife Edge” from Thom Yorke’s soundtrack rating for the Daniele Luchetti movie “Confidenza.” It’s a waltz set to halting electric-piano chords and uncanny resonances, with a melody that might virtually be a lullaby. However Yorke’s tidings are ominous; he gently counsels, “If I have been you I’d run away/Get out when you nonetheless can.” PARELES



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